marge and i

this are a bit more cohesive with my animation for this series. More spacial, less things touching. I like that there is more open black negative space..breathing room. Especially because of all those windows and doors that are mudding everything up

the direction is pretty clear, just need to know what works and what doesn't. I do think the easiest way to plan adding color to the icon systems is to work in gray scale. This is a very simple, effective system. But I won't know which of these are gonna be in the group till later. I'm pretty sure that one of the most interesting routes could potentially be using a trapezoid background shape in some of the oddly shaped icons and a rectangle for the bilateral ones.

which bus is?

BUS RAP CNN

environment for expression

hopefully the oblique orientation of this billboard will settle well in the progress crit. I like it.

these are the first step in a series of billboards for a weather station

these are a start to conveying the seven sins. Screen caps of my TV of various telecommercials

SO I think these are close. tell me what you think.

 JAMIEwhat egg-bacon combo looks the most delisious...

michael and cameron collaborate

Victor Papanek

Victor Papanek

Victor Papanek

Victor Papanek

Victor Papanek

Victor Papanek

Victor Papanek

So I was wondering if the pans and the waitress were working....is she recognizable, simple enough, and stylistically congruent? Are the pans too obvious?

I know its alot of its but I seem to be a verb so...)K i'm frustrated so....imput possibly please